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Archive for the ‘Videoclip’ Category

Radiohead: 3D images in House of Cards

In Music, Screen Culture Database, Videoclip on November 9, 2008 at 11:41 pm

The recent music video for Radiohead’s “House of Cards” directed by James Frost was shot without cameras or lights; only a pair of realtime digital scanners that recorded data points which were then interpreted by computer into 3D images resembling their referent. One scanner was calibrated to detect fine detailed surfaces such as vocalist Thom Yorke’s face as he sang, and the other was calibrated to record large landscapes like the suburban neighborhood in which part of the video takes place. Rather than prioritizing photorealism, the “House of Cards” video uses an alternative type of technological imaging with different capabilities and different weaknesses. This alternative technology is further highlighted by the engineers’ deliberate attempts to distort the image using mirrors, water, and other interferences to test the limits of the device. 

Nancy Shaw

Related Reviews: Music, Screen Culture Database

Viva la Coldplay! A modern twist on Delacroix’s revolutionary masterpiece

In Screen Culture Database, Videoclip on October 8, 2008 at 12:55 am

 

I hear Jerusalem bells a-ringing
Roman cavalry choirs are singing
Be my mirror my sword and shield
My missionaries in a foreign field
For some reason I can’t explain
I know Saint Peter won’t call my name
Never an honest word
But that was when I ruled the world
-Coldplay

In Viva La Vida, one of the more unique music videos of the year Chris Martin and the rest of the band perform from inside a painting. Coldplay is rocking out in Eugène Delacroix’s French romantic painting Liberty Leading the People, which depicts the July Revolution of 1830 and the downfall of Charles X. For this song Coldplay abandons their tradition use of piano, which has driven most of their other ballads to suit the needs of the music video – creating a feeling of an ongoing revolution. Coldplay uses instruments that were around at the time of the July Revolution – a brass drum and the liberty bell; such instruments are hardly ever used in rock songs. The ‘revolutionary’ sound is expanded upon by the filmmaker’s ability to paint a revolutionary world. When you look at the painting by Delacroix one cannot help but notice the cracks and fissures throughout the painting which immerses the painting in the authenticity of a distant past. The music video takes the whole notion of the song one step further by actually tying our two worlds together – the painting and the twenty-first century technology. The music video looks like a real live French Romanism painting – including cracks and fissures. The director of the video Hype Williams blends the colour and texture of the original painting and adds his own distinctive touch incorporating the aesthetically appealing aspects of the painting into a modern alt-rock music video. At a time when our world is rot with people feeling cheated by the government there is almost an underlying fear, or excitement depending a pone who you are, of a revolution occurring. Unfortunately, Liberty Leading the People and other paints of that era are slowing being forgotten, and too is the knowledge of how to learn from our ancestors. Because of how far our technology has come Coldplay has been able to renew society’s interest and give back the things society may have forgotten. It has been said that painting is a dying medium, but activists like Coldplay are keeping it alive. In the conclusion of the music video the members of Coldplay start to flake away, like a painting flaking off in a breeze. This seems to hint that in the near future events of our time could very well be forgotten and mediums like television could be a thing of the past – a forgotten medium.

Tara Turley-Dean

Check Coldplay’s music video here